September Reads
Blade Runner or Do Androids Dream of Electric Sheep by Philip K Dick
Mermaid: A Twist on the Classic Tale by Carolyn Turgeon
Sifting Through the Madness for the word, the line, the way by Charles Bukowski
The Man From Beijing by Henning Mankell
I Capture the Castle by Dodie Smith
The Male Brain by Louanne Brizendine
Y: The Last Man (Book 3) by Brian Vaughan and others (Graphic Novel)
Anya's Ghost by Vera Brosgol (Graphic Novel)
September Borrowed & Bought
(Borrowed from Library)
Blade Runner by Philip K Dick
Sifting Through the Madness for the word, the line, the way by Charles Bukowski
The Man From Beijing by Henning Mankell
I Capture the Castle by Dodie Smith
The Male Brain by Louanne Brizendine
Anya's Ghost by Vera Brosgol
How to Discipline Kids without Losing Their Love and Respect by Jim Fay
Graphic Design for Non-Designers by Tony Seddon
(Purchased from Amazon & the death of Borders)
Y: The Last Man Vol 3 by Brian Vaughan
Blackout by Connie Willis
The Wolverton Bible by Basil Wolverton
Please Look After Mom by Kyung-Sook Shin
American Dream by Norman Mailer
It's not the New York Times Bestseller List (no romance novels and few mysteries or pulp horror reviews) or the Critic's picks (why are these awards often for erudition rather than decent storytelling?) - these are the thoughts and recommendations of a lifetime reader who just might be able to help other bibliophiles sort through the massive choices out there for the golden ones. This reader is happy to take suggestions as well.
Showing posts with label noir. Show all posts
Showing posts with label noir. Show all posts
Friday, September 30, 2011
Monday, August 8, 2011
Graphic Novel Top 10 (ish) Part 2: Honorable Mentions
This is just a quick list + descriptions of graphic novels that were great but didn't make the Top 10 (they round out the top 20 instead). They are in no particular order because they all hit a similar "great-but-not-the-best" rating.
Y: The Last Man - Imagine all the male creatures on earth were wiped out in an instant... what does that mean for the typical duality-based struggles we are used to on earth? War, Labor, Creation and Protection of Offspring, Politics etc... It's a finely drawn and well-thought out concept that follows the lines of post-apocolyptic writing with the exceptions that half of the world is still alive but with skewed experience (i.e. most as in >90% politicians, soldiers, pilots in the world are male).
Aya - Probably the first book I've seen showing a prosperous African nation. The Ivory Coast is aptly portrayed here as the home of Aya, a typical (if more studious than her boy-crazy friends) young girl growing up in her homeland. There are obvious cultural differences but most of the time her life and city are as familiar as the small town homes many Americans grew up in.
Stitches: A Memoir - This is a pretty dark tale told from a young boy's perspective so it won't appeal to all readers, however I found it an amazing coming-of-age/overcoming your crazy-family story full of hope or maybe just sheer stubborness in not living out one's family destiny. I recommend it for anyone who grew up feeling like the crazy one because of the people influencing their life.
The Color of Earth (also ...of Heaven & ...of Water) - This is a trilogy tale of a young girl/maiden/woman in Korea (each book covering one phase). It is beautifully drawn and lovely in its content. I loved especially the story of young love from the first book.
The Walking Dead - I'm going to have to join the chorus out there shouting that the graphic novel is far better than the television series. And the television series was decent as far as the zombie plots out there go. I'm not sure why the series made the changes it did but I think they lost some great character development and story-telling along the way. The drawings are bold and sure-handed which I appreciated, especially if a great percentage of the pictures are going to be dedicated to the grotesque undead.
Maus (Book1) - I haven't been able to locate the sequel through my library so I've only got half the story, however the tale that looks back through the author's father's eyes leading up to his entry into Auchwitz, is stunning. We walk through the daily grind of life in Poland in the years leading up to his internment as slowly and inexorably the scenery changes from bad to worse. Along the ride though we get insights into the family dynamics, personality tics and modern-day concerns that remind us of the very humanity (or in this case, rodentry) that was put on hold for years in the camps. Strange to say, but it was a delight to read.
Scott Pilgrim vs. the World (or other Scott Pilgrim tales) - For those familiar with the movie (HIGHLY RECOMMEDED!), the film version is super-dedicated to near panel for panel faithfulness to the original. I actually prefer the film because I liked the 'look' better than the cartoon-y characters from the graphic novel but the former wouldn't exist without the latter and the latter is pretty-darn good.
A representative of crime/noir - The Black Diamond Detective Agency by Eddie Campbell. This one has a western bent to it as well but hits two goals for me: 1) it covers Eddie Campbell who is a great contributor to the genre but who's other pieces didn't hit the top o'the list for me & 2) it represents all the crime/noir pieces out there that the graphic novel is SUCH a perfect medium for. I like classic film noir but usually in small increments (i.e. "Brick" is a fabulous out-of-the-ordinary noirish film with just enough of a light touch, whereas "The Maltese Falcon" is formulaic) and the same goes for novels (Mickey Spillane is a from-time-to-time escape but easy to overdose on). In graphic novels you get the heights of the Look and Feel of classic noir along with the expected doses of the formula: femme fatales, red herrings, hard-boiled PI's and gritty dialogue. And it doesn't bore you with its familiarity. I've seen better as a representation but couldn't remember or uncover the title despite my huntings. So this'll do and it has the added bonus of the shout-out to Mr. Campbell. :)
So that's it for graphic novel's folks... until Rabbi's Cat 3 is translated or Marjane Satrapi puts out something new!
Y: The Last Man - Imagine all the male creatures on earth were wiped out in an instant... what does that mean for the typical duality-based struggles we are used to on earth? War, Labor, Creation and Protection of Offspring, Politics etc... It's a finely drawn and well-thought out concept that follows the lines of post-apocolyptic writing with the exceptions that half of the world is still alive but with skewed experience (i.e. most as in >90% politicians, soldiers, pilots in the world are male).
Aya - Probably the first book I've seen showing a prosperous African nation. The Ivory Coast is aptly portrayed here as the home of Aya, a typical (if more studious than her boy-crazy friends) young girl growing up in her homeland. There are obvious cultural differences but most of the time her life and city are as familiar as the small town homes many Americans grew up in.
Stitches: A Memoir - This is a pretty dark tale told from a young boy's perspective so it won't appeal to all readers, however I found it an amazing coming-of-age/overcoming your crazy-family story full of hope or maybe just sheer stubborness in not living out one's family destiny. I recommend it for anyone who grew up feeling like the crazy one because of the people influencing their life.
The Color of Earth (also ...of Heaven & ...of Water) - This is a trilogy tale of a young girl/maiden/woman in Korea (each book covering one phase). It is beautifully drawn and lovely in its content. I loved especially the story of young love from the first book.
The Walking Dead - I'm going to have to join the chorus out there shouting that the graphic novel is far better than the television series. And the television series was decent as far as the zombie plots out there go. I'm not sure why the series made the changes it did but I think they lost some great character development and story-telling along the way. The drawings are bold and sure-handed which I appreciated, especially if a great percentage of the pictures are going to be dedicated to the grotesque undead.
Maus (Book1) - I haven't been able to locate the sequel through my library so I've only got half the story, however the tale that looks back through the author's father's eyes leading up to his entry into Auchwitz, is stunning. We walk through the daily grind of life in Poland in the years leading up to his internment as slowly and inexorably the scenery changes from bad to worse. Along the ride though we get insights into the family dynamics, personality tics and modern-day concerns that remind us of the very humanity (or in this case, rodentry) that was put on hold for years in the camps. Strange to say, but it was a delight to read.
Scott Pilgrim vs. the World (or other Scott Pilgrim tales) - For those familiar with the movie (HIGHLY RECOMMEDED!), the film version is super-dedicated to near panel for panel faithfulness to the original. I actually prefer the film because I liked the 'look' better than the cartoon-y characters from the graphic novel but the former wouldn't exist without the latter and the latter is pretty-darn good.
A representative of crime/noir - The Black Diamond Detective Agency by Eddie Campbell. This one has a western bent to it as well but hits two goals for me: 1) it covers Eddie Campbell who is a great contributor to the genre but who's other pieces didn't hit the top o'the list for me & 2) it represents all the crime/noir pieces out there that the graphic novel is SUCH a perfect medium for. I like classic film noir but usually in small increments (i.e. "Brick" is a fabulous out-of-the-ordinary noirish film with just enough of a light touch, whereas "The Maltese Falcon" is formulaic) and the same goes for novels (Mickey Spillane is a from-time-to-time escape but easy to overdose on). In graphic novels you get the heights of the Look and Feel of classic noir along with the expected doses of the formula: femme fatales, red herrings, hard-boiled PI's and gritty dialogue. And it doesn't bore you with its familiarity. I've seen better as a representation but couldn't remember or uncover the title despite my huntings. So this'll do and it has the added bonus of the shout-out to Mr. Campbell. :)
So that's it for graphic novel's folks... until Rabbi's Cat 3 is translated or Marjane Satrapi puts out something new!
Thursday, June 30, 2011
2nd Half June Reads Borrows and Bought
The second half of the month capped off 2 books that were about as opposite as one might find aside from comparing reading a scientific journal to erotica. I read them in parallel so it was a bit discombobulating (what a great onomatopoeia!)
Let's get the girly beach read out of the way first: Something Borrowed by Emily Giffin
I could denigrate the book as a fluff piece but its really as good (and better written) as most of late that attempt to describe the often complex relationships that form between women, particularly when formed in adolescence. The reality is that these friendships are more intimate than most marriages which means the good, the bad and the very ugly come into the relationship. They're usually more subtle than Margaret Atwood's portrayal in Cat's Eye and this is a decent description. So, for female psychology... sure, check it out. Here's your warning; the author, like the narrator, attempts to set-up the reader into a false dichotomy: either you love the vain, selfish, thoughtless but vivacious beauty, or you side with the loyal, smart, average and maligned narrator (best friend to the beauty). The truth is, they're both bitches. Of course the queen bee takes the cake and I dutifully hated and rooted against her, but the narrator is a spineless, passive-aggressive leech who doesn't learn a thing through her experience stealing the beau and never identifies what she wants. Dissatisfying to finish. The only reason I would want to read the sequel (which promises to be worse due to being from the point of view of the queen bee) is to hope for some actual growth in the characters to resolve my annoyance with this book.
Let's get the girly beach read out of the way first: Something Borrowed by Emily Giffin
The Cold Six Thousand by James Ellroy....pretty much 180degrees from Borrowed except perhaps for seeing every characters dark side (some of them don't have light sides) and disliking all of them. The 1960's tale starts (and never ends) with JFK's assassination in Dallas and continues along a reasonably explained trajectory of consequences for the cast of characters involved. It's impressive & overwhelming and I had to wonder if the frenetic prose is due to the author partaking of similar uppers as his characters. I was grateful I'd seen "The Aviator" and some History Channel Mob pieces as well as read "Lies My Teacher Told Me" and even "The Help" because I would not have been able to track most of this otherwise (its like a Russian novel for #'s of characters and their nicknames). My generation wasn't taught the recent history of our parents so we're ignorant of the events of most of the 60's and I certainly didn't grow up with all the racial slurs spouted in these passages! This was a revealing, thought-provoking take on what might have been behind the very real events and motivations of the movers and shakers in the Kennedy, Vietnam and Civil Rights era(s). Warning: this is beyond Elmore Leonard for grit.... Leonard is a tourist's sampling of noir compared to the violence here that compounds one's horror with the sneaking suspicion that much of it must be true.
I broke my fast for new books big time towards the end of the month due to a lovely gift card I couldn't resist spending ... I'm very much looking forward to reading and gifting these (the parenting book is a gift I don't currently need myself though I LOVE the title The Three-Martini Playdate!) in the month(s)to come.
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